09/2007 Marshall Nack takes the Baltic M for a spin
08/2007 Steve Guttenberg Listens to GTT's Showrooms
07/2007 Michael Trei give the VYGER Baltic M a Spin
11/2006 Marshall Nack Reviews the Midi Exquisites
10/2006 ***GTT Audio, Kharma and MBL Rule at the RMAF 2006 In Denver***
09/2006 Rick Becker Upgrades to CE2.3c
4/2006 Positive Feedback MP150 Review
3/2006 GTT Audio Displays at the Montreal Show
5/2005 GTT Audio Displays at the HE2005 show (click here and here and here and here)
4/2005 Marshall Nack Reviews the Kharma Ceramique Reference Monitor with the Ceramique Sub (click here)
4/2005 Montreal High End Show GTT Audio/Kharma/Kubala-Sosna gets Standout Room
4/2005 Montreal High End Show Son & Image Kharma MP150-SE Mono Amps are show stoppers
4/2005 Montreal High End Show "Effortless Sound"
1/2005 Kharma/Kuzma/Lamm Room one of the best sounds at the show
1/2005 Kharma Midi Exquisites win best loudspeaker at CES 2005
GTT HT Reference 9 CRT Projector wins The Perfect Vision Golden Eye Award
Kharma Enigma Speaker Cable and Interconnects win The Absolute Sounds Golden Ear Award for 2003
Kharma Ceramique Reference Monitor 3.2 wins TAS Golden Ear 2003 for the 2nd year in a row.
Kharma Grand Ceramique Speakers receive the Postive Feedback Speaker of the Year Brutus Award by Editor David Robinson!
"No contest here: Charles van Oosterum and the Kharma Grande Ceramique loudspeakers are the winners in my listening room. The reviewing is upcoming, but the Kharma Grande Ceramiques are absolutely the finest speakers that have ever resided in this editor’s sanctum audiophilii"
Marshall Nack reviews the Kharma Grand Reference Cables, click here
Rick Becker of Enjoy The Music Raves about the Kharma Ceramique 2.2, click here.
Frank Peraino of The Stereotimes Raves about the Kharma Ceramique Midi-Grand, read for yourself, click here.
Le Festival Son et Image in Montreal 2003

Montreal 2003 Show Reports
Taken from http://www.positive-feedback.com/Issue6/sonms2.htm written by by Sasha Matson
Tenor Audio, the fine manufacturer of amplifiers based in Montreal, was featured in one of the first rooms I visited, and Robert Lamarre of Tenor pointed out to me that I needed to go across the street to the Four Points Hotel to visit the other Tenor Audio room. And what would I find there, I inquired? The "World Premiere" of Tenor’s new 300 watt hybrid amplifiers, M. Lamarre suavely intoned. Well! Based on what I’d heard of Tenor’s 15Wi design, I scurried right across the boulevard and sought out one of the larger rooms at the Four Points Hotel, where drawn by the sound wafting down the hallway, I was able to quickly locate the new Tenor Audio "300Hp" monoblock hybrid amplifiers driving a pair of Kharma "Grand Ceramique" speakers.

Tenor Audio 300Hp monoblocks & Kharma Grand Ceramique
I quickly fell into attentive conversation with Bill Parish of "GTT Audio & Video."
(www.gttgroup.com) Based in New Jersey, they have the good fortune to be retailers for both Tenor and Kharma– which means Bill gets to listen to this stuff whenever he wants to! As Bill put it to me in describing the Kharma speaker line: "The size of the room is all that matters; every one is a reference speaker." And judging from what I heard then and there he may well be correct. I would like to hear more of the Kharma line in the future, but was happy to finally hear the "Grand Ceramique," which have been receiving positively drooling reviews everywhere you look.
To be clear, what I was listening to was a pair of Kharma Grand Ceramique GrCe1.0 4-way floor-standing speakers, driven by a pair of brand-spanking new Tenor Audio 300Hp hybrid monoblock amplifiers. The Grand Ceramiques are a 4 ohm design with a sensitivity of 93dB, which I would never have guessed from just looking and listening. In other words you could drive these speakers with just about anything. The Tenor 300Hps are so-named for an obvious reason– they put out a gigantic sounding 300wpc. This was some real synergy, there is no question about that. And these gems were deployed in a room that was large enough to show this caliber of component to advantage, which unfortunately was not the case for some other fine manufacturers. Words fail, but here goes, from my notes: "Incredible massed strings. Extremely deep and chasm-wide stage. Canyon-deep low-end." Bill Parish played me a few things, and I stood up and exclaimed: "You’re scaring me!" I cannot recall hearing such lifelike orchestral reproduction in a long time. You want width? This combination was producing holographic percussion that simply stared me in the face from way beyond the edge of the speakers. I could have danced all night– if I had been dancing and it had been night, but you get the idea. As it was, it was back to Planet Earth with the reality check; the Grand Ceramiques retail for $47.5k U.S., and the Tenor 300Hp monos clock in at $29.9k U.S. Darn it, I knew there was a catch. Final word from me: Tenor and Kharma are making some heavy mojo– Yeah Baby, Yeah! Find out more at: www.tenoraudio.com and www.gttgroup.com
Taken from http://www.enjoythemusic.com/montreal2003/becker/page3.htm written by Rick Becker
I then stepped from the best surround sound presentation into one of the handful of best stereo presentations at the show. The Montreal based Tenor was showing their new 300Hp hybrid monoblock amplifiers with tube input stage and solid state output stages that deliver 300 watts into 8 ohms, double that into 4 ohms, and a thousand into 2 ohms for $30,000 US/pair. A stereo version, the 150Hp, halves the power and comes in at $18,000 US. The styling is a very fresh combination of curved wood on the front of the metal case, with a large blue illuminated logo in the center of the front wood panel. Very tastefully done without calling unnecessary attention to the amplifier. I had had a nice chat with Robert Lamarre and Francis Lemay on Saturday night, and Robert explained the secret to the open and dynamic sound of their award winning OTL amps is their 6dB of headroom.

The other stunning presentation in this room was the Kharma GrCe 1.0 loudspeaker at $47,500 US. Using ceramic drivers for midrange and tweeter, these loudspeakers presented exquisite classical music in combination with the Tenor monoblocks. And like the Tenor amplifiers, the Kharma styling is a very tasteful understated design that should fit very nicely in a wide variety of decor. Bill Parrish, the American importer, was very cordial and explained that the Kharma line goes both up and down in price ranging from $10,000 to almost ten times that. The ceramic drivers and optional diamond tweeter Kharma uses represents state of the art components. This is clearly an uppermost echelon line that can even be configured for home theater with an available center channel speaker. Less conspicuous, the front end in this stellar system was a modified Phillips SACD player that delivered the SACD digital signal through three AT&T glass fiber-optic cables to a special Meitner DAC. A studio grade Meitner Switchman was used, but this same unit is being reconfigured for more conventional use in high-end audio systems.
Taken From http://www.stereotimes.com/lefestival2003.5.shtm written by Eujin Hong
At first, I thought I'd have a hard time picking a room as a favorite. That was before I heard this room. My vote for the best sound at the show: the Kharma/Tenor Audio room in the Four Points Hotel. Featuring the Meitner-modified Philips SACD1000, EMM Labs DAC6, and a Swtichman pre-amp, feeding a pair of Kharma Grand Ceramique GR CE-1.0 speakers, powered by the new Tenor Audio 300Hp monoblocks. My only regret is that I never got a chance to play any of the music I'd brought with me, although I did sit through You Can't Always Get What You Want (ironic, no?) by the Rolling Stones, off the recent "Hot Rocks" SACD. I've heard this track countless times at home, but in this room and with this system, it was more fun, more vibrant, and simply more alive than I've ever heard it before. I really didn't think that any system-there were many others at the show with much bigger sticker prices-would be able to perform this well under show conditions. I'm glad I was wrong.
